Wine Review: 2015 Pinot Noir by Handpicked

Tonight’s occasion: 2015 Pinot Noir by Handpicked from Yarra Valley, Australia.

Deep ruby color. Moderately aromatic nose with berries, caramel and a little leather. You can tell this is a bigger Pinot, not unlike your typical Northern California Pinot Noir. Once it opens up aromas become more intense.

Bright but restrained body shows great balance as subtle tannin quickly steps up to the moderately acidic attack, along with notes of plum. A seamless transition to finish is punctuated by a subtle tightening of tannic grip, capped by moderate spice and heat that quickly dominates the palate and further down the chest.

At 14.5% ABV this is by all accounts a big bold Pinot Noir. However it still manages to be very approachable and not the least overbearing. A testament to the winemaker’s craft. It is clean crisp, and has great character, structure and balance. Well done Mates! 😁🍷

Thanks to wine.com and their extensive library, you can now access most of the wines I review on here. You can use the link below to have Handpicked wines delivered to your doorstep.

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Wine Review: 2018 Pinot Noir by Helen & Joey Estate

Tonight’s occasion: 2018 Pinot Noir by Helen & Joey Estate, Yarra Valley, Australia.

Bright, clean, clear, ruby color. Nose is very subtle and delicate with bright notes of sweet cherry and caramel marshmallows. Once opened up a surprising very earthy manure leather emerges along with herbal notes.

Body is clean, crisp, has good balance with mildly acidic attack which quickly transitions to equally mild and creamy tannins. Subtle black currants accompany the seamless transition from attack to finish. Finish is quick and brief. Once opened up, it becomes a long gentle affair with enduring tannic grip and subtle spice. Recommend at least 20-30 minutes decanting. Take your time and follow it through the evening.

If you like subtle nuanced Pinot Noir, this is one I think you should try. It’s a shining example of what a classic Pinot looks like. Keep going back to the California Central Coast Pinot Noir Country. Santa Rita Hills, Santa Barbara County. Beautiful, delicate, nuanced Pinot. I am reminded why I left Australia last year so convinced Pinot Noir is the best Australia has to offer. Helen & Joey nicely done Mates! 🍷😁👌🏽

Thanks to wine.com and their extensive library, you can now access most of the wines I review on here. You can use the link below to have Helen & Joey Estate wines delivered to your doorstep.

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Wine Review: 2013 Reserve Shiraz by Davey Family

Tonight’s occasion: 2013 Reserve Shiraz (D Block) by Davey Family, McLaren Vale, Australia.

Deep inky color. Big, fruit forward nose rich with plum and sweet cherry. There’s a hint of leather towards the back. The plum carries forward into a big structured moderately acidic slightly dry body. Not as fruit forward as the nose would suggest. A hint of minerality. The finish is even more massive with boat loads of tannic grip that fight for dominance eventually ceding to a long lasting spice. This wine is just now becoming approachable. It is a solid wine now, but given more time to fully develop, I can see it turning into a real masterpiece. I’d say 5-10 years from now. During my recent trip to Australia, I found that on the whole, wines from this region were top notch. This one is no exception. If you are looking for a real taste of Australia here in the US, head over to @totalwine and pick up one of these. This is a fine example of a Shiraz from Australia. 🍷😁👌🏽

 

Wine Review: 2006 Shiraz by Massena

Tonight’s occasion: 2006 Shiraz (the eleventh hour) by Massena, Barossa Valley, Australia.

Deep rich color. Heavy nose rich with an intense leather and mushroom that hits you as soon as you uncork it. Once it breathes a little, a sweet cherry undertone reveals itself along with even more terroir. A few additional herbal notes I cannot pinpoint linger in the back along with old oak. Wow. The nose has so much going on. A thick, jammy, chewy body awaits. Characterized by a slight acidic prominence, smooth buttery tannins and plum essence. A smooth transition to a graceful finish capped by moderate spice and mild tannic grip.

This wine must have been a massive beast in its hay day, perhaps even borderline unapproachable just on the nose alone. However after 13 years of patience it has had time to fully develop and settle down into a big, bold, beautiful work of art. This my friends is a shining example of Shiraz from Barossa Valley. Well done! 😁🍷🍷🍷

The Winery, Sydney, Australia

After a few false starts at finding a proper establishment that took not just their wines but also their Australian wines seriously, I finally stumbled upon The Winery. I should have started here and so hopefully this post will help any fellow winesnobs out there get a decent start to their visit to this part of the world.

The Winery is a Wine Bar, “A quirky urban garden oasis in the heart of Surry Hills” and I would agree on all counts. It is also warm, welcoming, inviting, rustic, simple. It is as one would imagine, Australian. I was looking for a place where I could explore Australian wines. Hopefully small batch production, artisan wines. I realized this was a tall order for a big city like Sydney but I knew there had to be a few of them.

I wanted to get an overarching sense of what Australian wines are all about. There is such a thing. Similar to the overarching theme one refers to when they say “Big California Pinot” or “Napa Cab”. I also wanted to get a feel for the overall quality and hence maturity of the Australian wine industry overall.

Fortunately I arrived at the right time. They had just upgraded to a new tasting station which afforded many more wines to be available for tasting on demand. Once I explained what my objective was, my hostess was very gracious enough to let me explore wines and vintages previously unavailable for tasting.

All the Aussie wines I tried were good, well made wines. This is perhaps the single biggest overarching theme of this trip. See, in California, if you ask for an Aussie wine, you’ll most likely be presented with YellowTail… That’s like asking for a California wine and getting Gallo… Nuff said. Below are three wines that stood out the most for me as well as my notes from this outing.

2015 Cabernet Sauvignon by Tomfoolery

Slightly fruity nose with good berry, a little plum and oak. Restrained body, mild acidity, showing good balance, structure and moderate fruit. 14.5% ABV is unnoticeable. Smooth finishes, once opened develops long gentle tannic grip.

2018 Grenache by Tarot

Clean crisp wine. But this is an illusion. This is a bid powerful wine. At 14.9% ABV, an iron fist in a velvet glove. Nose subdued with hints of strawberry, oak, cherry and the faintest of earth in the background. Oak and cherry carry through the body, introducing heat and mild tannin. A surprising amount of structure once opened. Finish throws a fake as massive spice and tannin make a late entrance towards the end. This wine is no joke. If this Tarot is any indication of your fortunes, you’d better buckle-up. 😳

2014 Shiraz by Gaelic Cemetery Vineyard

 

Trying to read this wine is akin to stepping up to an old brick building and trying to sniff the bricks. It just won’t work. The nose is very reserved, giving only hints of berry, faint raisin, cherry. Leather, mineral, licorice and black currant only momentarily when swirled vigorously. This wine does not like to be disturbed. A massive tightly integrated body proves a challenge to pick apart. Minerality is pronounced. Very structured, inky, earthy come to mind. The finish quickly gives way to super heavy massive granite tannic grip that just won’t quit! I think I just found my new favorite Aussie wine! 😭🍷

Altitude at Shangri-La, Sydney, Australia

The view from my table of the Sydney Harbor at Altitude, Shangri-La.

It was my last day of just over a week long trip to Sydney, Australia. I had just finished the guided tour of the Opera House (highly recommend) and had a few hours to kill before chasing the sunset from across the Harbor. I settled in at the Opera Cafe, tucked underneath the plaza. It turned out to be the ideal place for a winesnob to sit back and take in this gorgeous and breathtaking city while exploring some Australian wines – more on that later.

I have dined at few signature Shangri-la restaurants before and they were all amazing. The most recent for me was The Market by Jean-Georges at the Shangri-La Vancouver. It was a 5-star experience. Altitude was one of the outstanding items on my todo list for this trip and a fitting finale to my bucket list visit to Sydney.

So while at the Opera Cafe, I picked up the phone and called to make reservations – I highly recommend you do so as well. I wanted to explore something creative, something thoughtful, something inspired. I studied their seasonal menu and could tell there was a creative mind behind it. A culinary artist. Someone whose sole purpose and passion is to bring you their best without compromise.

Reception was prompt, quick, brief. I was seated within seconds of showing up. Accommodations were more than adequate for a table of one (with a view of the harbor) especially considering it was a full house (on a Thursday night). But I did not come here to be catered to or coddled. I came for the food and my host got right to it as soon as I sat down. As I mentioned before, the menu is seasonal so I took a shot of it for you to explore.

My very knowledgeable host started me off with a Pinot Noir. Ten Minutes by Tractor, Victoria. Here are my notes.

Subtle Aromas, cherry, touch of oak. Mildly acidic body, balanced. Smooth finish with subtle tannic grip. A crisp clean Pinot that drinks more mature than its age indicates. It’s a good quality Pinot. Not very complex or layered but it doesn’t have to be, to be good. More on this later as it paired well with the Entrée.

Entrée

For the entrée I went with: Duck liver parfait with rhubarb chutney, candied walnuts, mountain pepper and brioche. Here are my notes.

Duck liver parfait is sublime. Rich. Layered. Complex. Contemplating the creativity that led to this dish. Indulgent without being over the top. I’m not quite sure how to describe it but it is just right. Good balance in all its elements. Liver essence is very restrained and more of a suggestion. Presentation was unique, different, artistic, beautiful. I don’t think I’ve eaten, let alone enjoyed so many flower petals before in one sitting but I can definitely say it tastes even better than it looks. I’m contemplating licking my plate but I have a feeling this would hardly be the place to pull a stunt like that. The Tractor Pinot had a bit of an effect of resetting my palate. As it turns out he host’s recommendation was spot on.

The entrée was a real Amuse Bouche. A Piece de Resistance of sorts. It really set the tone of the Chef. It was a no-nonsense showcase of what was in store for the evening. From this point on I knew I had to pay attention to what came next.

In preparation for the main course and in keeping with my one request – only Red Australian wines – my host recommended the following wine (my notes below).

2011 Whisson Lake Pinot Noir from Adelaide. Ahhhh what an old timer. Brown aged caramel color. Rich nose with terroir, licorice, a hint of cherry and one or two floral Aromas I cannot discern at the moment. There’s something faintly minty up front. Leathery, spicy body. Mildly acidic. Finish has old oak. Gentle, spice and tannins wrap it up. You can tell this was a big Pinot in its hay day.

This is my kind of Pinot and the reason I have a cellar. I would buy current vintages and lay them down for 8 years or so. A late stage Pinot. Subtle. Mellow. Should pair well with this Chef’s style – very complex dishes with subtle, delicate flavor profiles.

Main Course

For the main course I went with my host’s recommendation: Swordfish ‘cutlet’ with broad beans, celeriac, soy-pickled broccoli, bottarga, parsley and marjoram emulsion. Here are my notes.

Swordfish is slow cooked/seared in butter. Served with a minty herb puree. The gamey Swordfish, softened by butter combined with the puree is amazing. Fresh herbs give the dish a nature’s garden like feel/personality.

The bottarga breading/dusting is an intense alternative to bacon prosciutto. I’ve never had anything quite like this. Very multi dimensional plate with clearly delineated and complementary flavors. Lots of structure. Very technical.

For the side dish I went with: Sugar snap peas with prosciutto, ricotta and mint. Here are my notes.

Snap peas are perfect. Al dente. Fresh. A little sweet. A little grilled flavor. It has a celery-like crisp to it. Crunchy. The cheese and bacon bits just seem like a natural extension of the flavor profile however I can only imagine how many iterations it took to get this right. Little sesame seed regalitos provide an interesting nutty diversion. This side dish is interesting enough to be its own main course plate. Well done.

The Sideshow

After studying the menu earlier in the day I was really curious about the bone marrow, however the updated seasonal menu did not offer it on its own. To my surprise and delight the Chef went off-script and prepared me the bone marrow as it’s own side dish. I saved it for last. See my notes below.

Roast bone marrow with bread crumbs and red wine sauce. This should be on the dessert menu. Not because it’s sweet. Quite the contrary. It is rich! Wow! I wasn’t expecting this. It’s rich, kind of like pork belly, with more dimension and texture. I sprinkled some of the bottarga on it and WHOA!

Dessert

For dessert I opted for the: Selection of Australian cheeses with seeded flatbread, walnut salad, and cumquat compote. At this point I began to feel it was time to put down my proverbial pen and take in the whole experience. Below are the only notes I could muster.

Cheese plate. Play with complex delicate flavors to your heart’s content. I leave it up to you.

With great satisfaction, I sat back and enjoyed a second glass of the 2011 Pinot Noir while taking in the view of the Sydney Harbor below. My visit to Sydney couldn’t have ended on a better note.

The Chef

Chef Insup Kim is the one behind every masterpiece on exhibit at Altitude. I say exhibit because I honestly felt like I was looking at edible art. The lines between visual and taste senses at times seemed to blur. The Chef, the painter, and food his medium. It was not very obvious who the chef was and by the main course I was already asking myself who was behind this art/food. There was an urge to go back to kitchen and see for myself who was sending these plates out. Just as I follow certain winemakers for their exquisite craft and attention to detail, this Chef is certainly one to follow closely and watch/taste his art as it evolves over the years. I was thoroughly impressed.

Final thoughts

A few nights before my friend and I went to check out this cramped hole-in-the-wall wine bar and restaurant in South Sydney. It came highly recommended for wine enthusiasts. The non-nonchalant and aloof  bartender offered little in the form of tastings. Wines were by the bottle only. He recommended a Pinot that was clearly spoiled/corked. Pulled straight off a high shelf in the bar dining area, it was warmer than room temperature. After complaining that the bottle was bad, it was taken back. I was told that in this part of the world (Australia), wine is made differently. I knew this was just not true because of all the amazing Australian wines I had up till that point. So two decent pasta plates, one cocktail and three small glasses of Barolo later (had to play it safe), that evening still cost me considerably more than my experience at Altitude. This leads me to the conclusion, you absolutely cannot visit Sydney and not stop by Altitude. You will find the experience and value proposition very approachable and well worth it. When I do make it back to Sydney, the first place I will be dining at is Altitude…